Not as much, I grant, as philosophers need music, but nevertheless the need is real.
In the past our musical culture had secure foundations in the church, in the concert hall and in the home. The common practice of tonal harmony united composers, performers and listeners in a shared language, and people played instruments at home with an intimate sense of belonging to the music that they made, just as the music belonged to them. The repertoire was neither controversial nor especially challenging, and music took its place in the ceremonies and celebrations of ordinary life alongside the rituals of everyday religion and the forms of good manners.
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